![]() Even though it's the best one they all lose tempo! This was first covered by Glen Campbell but became known on Elvis in Memphis. Long Black Limousine is the 2nd of 2 in '70 and the final one (of 4, unless it was played in '66 - either way a definite rarity). The arrangement for Friend of the Devil isn't filled out like the late show. The third one, but not the best one, it's followed by a Stars and Stripes Forever tuning. Pig delivers semi-rarity Ain't it Crazy, the Lightnin' Hopkins cover. After a downbeat take on a blithesome, standalone Rider, Jer calls for Pig to come out (the official cuts his patter with hecklers). Starting with a fine Dough Knees, there's no bum turn in this acoustic set. The second set of the late show is a massive, over-2hr set.Įarly ShowFirst Set. Of the 24 songs in the late show, only 6 had been released on an album, which would have confused any newbies and only 3 of 16 in the early show. Deadheads had become savvy and stopped going to the time-limited first show, causing a lopsided house for Graham. But with the three-set, NRPS format they had at the time, shows were already long, so they only did the full set-up for Bill once (he didn't pay the bands double), for their final double bill. Starting 6/14/68 the Dead did 12 of these dates (when it was still the Village Theater, they also did two dates with two sets/two tickets for Bill Barenholtz, 12/26 & 12/27/67 - don't know if that's why Graham adopted the policy). Graham had a policy for a while in '68-'70 where his Fill E headliners had to turn the house. This is an historical date: the only time they played 2 shows in a day, with two acoustic sets/two electric, and where both shows featured a middle set by New Riders, with half of the Dead joining. ***A very special thanks to all of the people involved in the production of this exquisite recording*** Audio seed discs: Chuck Reynolds|Track processing/edits/archiving: Seth Kaplan shntool used for track timings, file size info and backup sector boundary ![]() Trader's Little Helper used for correct sector boundary alignment and verification and alternate Md5 sg/fp checksum creation and verification. MKW used for initial file archiving and Md5 signature checksum creation. Track processing: EAC>Cool Edit 2000>MKW>Trader's Little Helper>SHN: Cool Edit 2000 used for minor re-tracking, glitch removal, normalisation and alternate source patching. ![]() Stephen 2:18.186 to the end of the show is patched using the previously circulating SBD:MR>PCM>DAT>CD as the source. Stephen, however the final reel was missing from the set of masters and the remainder of the show from the cut in St. Reel glitch at 01:00-01:04 in China Cat Sunflower. The beginning of The Ballad Of Casey Jones is slightly clipped. During the NRPS Early Show the master reel ran out 2:01 minutes into Last Lonely Eagle and the remainder of their set was not recorded. On the master reel, from the beginning of the tape into Candyman, the right channel stereo signal is present but fades in and out at very low levels until it finally comes up to full strength at 2:10 into Candyman. The Early Show acoustic set is not the splitter generated two channel mono mix that commonly circulates. Apart from restoring the right channel on an 11 minute segment of Drums> The Other One and the patch to fill in the music from the missing last reel, no attempt has been made to alter or fix anything. ![]() This analog to digital transfer was done to create a digital copy of the master reels as true as possible to the original recording. (late show, acoustic Dead set): The Ballad Of Casey Jones, Silver Threads, Black Peter, Friend Of The Devil, Uncle John's Band, Candyman, She's Mine, Katie Mae, I Hear A Voice Callin' (late show, NRPS set) (late show, electric Dead set): China Cat Sunflower-> I Know You Rider, Cumberland Blues, Hard To Handle, Beat It On Down The Line, Morning Dew-> Drums-> Morning Dew, Good Lovin', Dire Wolf, Next Time You See Me, Dark Star-> Saint Stephen-> Not Fade Away-> Turn On Your Love Light, E: Cold Jordan ![]()
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